Cupboard

Alena MATĚJKA

Crystal glass with different sorts of bones and horns in the interior 350 kg 185 x 95 x 40 cm

glass rifle detail

Alena MATĚJKA

Crystal glass and leather straps 5,5 kg 5x130x10 cm

ELK'S HEAD

Alena MATĚJKA

Crystal glass 41,5 kg 25x75x39 cm

Glass PHEASANT

Alena MATĚJKA

Crystal glass 5,5 kg 10x50x15cm

FRAMES /Collection My dear hunter from Lavondyss

Alena MATĚJKA

FRAME WITH WINGS OF WILD DUCKS Crystal glass feather of wild birds 137 x 46 x 4 cm 30kg FRAME WITH VEST Crystal glass, vest of feathers of wild birds and drapery 137x90x4 cm 40 kg

ORLANDO

Lars WIDENFALK

mold melted glass, polished, 26 x 18 x 14 cm, 12,5 kg

Made during 5-month fellowship at The National Glass Centre and The University of Sunderland with support of the Arts Council North East and Visiting Arts / British Council in London.

MAGIC CARPET

Alena MATĚJKA

Mold melted uranium yellow glass, slumped and painted, 135x185x16 cm; 300 kg

Rose is a rose is a rose.

In the sophisticated blossom there is a lot of order like in the whole universe. The order is repeated with mathematic precision in the whole bush, the perfect arrangement being broken by caterpillars and beetles which like to eat this beauty. The oldest rose in my garden is Rosa Richardii, recorded a hundred years A.D., which was planted at courtyards of Christian sanctuaries. Other strains come from the period between the 13th and 20th centuries, and some of them are entirely modern, English.

All qualities of the original plant are encoded in the buds grafted onto the root of brier rose, and thus the single strain has passed through centuries untouched and immortal. This tremendous number of strains and names concentrates all the desire for beauty of entire generations of the cultural milieu. Roses are a living cultural legacy – just like wine, horses and dogs.

And how many smells they have! They smell of fruit, cinnamon, musk, lemon, honey, pears, jasmine, myrrh, green apples, plums, clove, peaches and apricots, sweet almonds, almond blossoms, spices, oranges, ripe mango, green grapes, lilac, nutmeg, lemon-tree blossoms and mulberries.

Also tulips are my passion. As one of the first spring blossoms in the garden they push their way through the ground with great power, not modestly at all. In the uncompromising April sun they shine red like Chinese lampions from silk paper; flowerbeds are ablaze and new hope enters one’s soul.

Alena Matějka

ROSE

Alena MATĚJKA

Mold melted glass, diameter 34 cm, height 27,5 cm, 39 kg

HOUSE OF SIX HAWKS

Alena MATĚJKA

Mold melted glass, polished 56 x 26 x 56 cm, 140 kg

SURFACE

Lars WIDENFALK

mold melted glass, 70x50x30 cm, 125 kg

BLUE LADY

Lars WIDENFALK

mold melted glass, polished, 28x30x10cm; 7,6kg

LONG VOYAGE

Alena MATĚJKA

mold melted glass, polished, 25x15x91cm

MAGIC CARPET

Alena MATĚJKA

Mold melted uranium yellow glass, slumped and painted, 135x185x16 cm; 300 kg

Made during 5-month fellowship at The National Glass Centre and The University of Sunderland with support of the Arts Council North East and Visiting Arts / British Council in London.

HOUSE OF SIX HAWKS

Alena MATĚJKA

Mold melted glass, polished 56 x 26 x 56 cm, 140 kg

Series: IMPRINTS

In this series:

Cupboard

Alena MATĚJKA

Crystal glass with different sorts of bones and horns in the interior 350 kg 185 x 95 x 40 cm

glass rifle detail

Alena MATĚJKA

Crystal glass and leather straps 5,5 kg 5x130x10 cm

ELK'S HEAD

Alena MATĚJKA

Crystal glass 41,5 kg 25x75x39 cm

Glass PHEASANT

Alena MATĚJKA

Crystal glass 5,5 kg 10x50x15cm

FRAMES /Collection My dear hunter from Lavondyss

Alena MATĚJKA

FRAME WITH WINGS OF WILD DUCKS Crystal glass feather of wild birds 137 x 46 x 4 cm 30kg FRAME WITH VEST Crystal glass, vest of feathers of wild birds and drapery 137x90x4 cm 40 kg

Series: MY DEAR HUNTER FROM LAVONDYSS

In this series:

FRAMES /Collection My dear hunter from Lavondyss

ROSE

Alena MATĚJKA

Mold melted glass, diameter 34 cm, height 27,5 cm, 39 kg

Rose is a rose is a rose.

In the sophisticated blossom there is a lot of order like in the whole universe. The order is repeated with mathematic precision in the whole bush, the perfect arrangement being broken by caterpillars and beetles which like to eat this beauty. The oldest rose in my garden is Rosa Richardii, recorded a hundred years A.D., which was planted at courtyards of Christian sanctuaries. Other strains come from the period between the 13th and 20th centuries, and some of them are entirely modern, English.

All qualities of the original plant are encoded in the buds grafted onto the root of brier rose, and thus the single strain has passed through centuries untouched and immortal. This tremendous number of strains and names concentrates all the desire for beauty of entire generations of the cultural milieu. Roses are a living cultural legacy – just like wine, horses and dogs.

And how many smells they have! They smell of fruit, cinnamon, musk, lemon, honey, pears, jasmine, myrrh, green apples, plums, clove, peaches and apricots, sweet almonds, almond blossoms, spices, oranges, ripe mango, green grapes, lilac, nutmeg, lemon-tree blossoms and mulberries.

Also tulips are my passion. As one of the first spring blossoms in the garden they push their way through the ground with great power, not modestly at all. In the uncompromising April sun they shine red like Chinese lampions from silk paper; flowerbeds are ablaze and new hope enters one’s soul.

Alena Matějka

Series: GARDENS

In this series:

LONG VOYAGE

Alena MATĚJKA

mold melted glass, polished, 25x15x91cm

Series: SEA

In this series:

This painting is a playful allegory with water scene full of bubbles, pastels, fantasy and motion. The scene shows (catches) an absurd situation at first sight, but with closer examination she is suddenly familiar. The central topic "meeting" is established by the author with tender irony. While Mr. Fish is deciding between fragility of uncertain character on the left side and slightly cool physical form of the second object on his interest, the character coming from the right is already gettting ready but no one knows for what or who, like in our real life.

Anna Obrova

MR. FISH

Anna OBROVÁ, 2011

oilpainting on canvas 110 x 90 cm

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EMANATION

Anna OBROVÁ, 2011

Oilpainting on canvas 70 x 55 cm

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DRINKING STORKS

Anna OBROVÁ, 2009

oilpainting on canvas 110 x 140 cm

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FASCINATION

Anna OBROVÁ, 2011

oilpainting on canvas 110X140 cm

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SPHERES

Anna OBROVÁ, 2011

oilpainting on canvas 100x90 cm

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BLUE

Vladimír OBR, 2009

oil painting, 100x80 cm

DRINKING STORKS

Anna OBROVÁ, 2009

oilpainting on canvas 110 x 140 cm

FASCINATION

Anna OBROVÁ, 2011

oilpainting on canvas 110X140 cm

Series: Drinking animals

In this series:

WINDMILLS

Alena MATĚJKA

alabaster, 46 x 11 x 58 cm; 45 kg

STARWATCHER

Lars WIDENFALK

1/ mold melted glass, polished, 50x19x30; 21,2 kg; 2/ granite; 3/ cast iron available in ARP Gallery

SWIRLS

Alena MATĚJKA

alabaster, 56x11,5x34 cm; cca 40 kg

DOOR III.

Alena MATĚJKA

alabaster, 44x13x44 cm

EDEN ROSE

Alena MATĚJKA

white onyx, diameter 35 cm, height 20 cm

SAMSARA I

Vladimír OBR, 2010

archival pigment print, 100 x 100 cm

ANGEL 1561

Vladimír OBR, 2010

archival pigment print, 100 x 100 cm

LIGHT

Vladimír OBR, 2011

archival pigment print, 100 x 100 cm

CALLING

Vladimír OBR, 2010

archival pigment print, 100x100cm

EMANATION III.

Vladimír OBR, 2010

archival pigment print, 100x100cm

MIRACLE I.

Vladimír OBR, 2005

archival pigment print, 100x120 cm

SIGN

Vladimír OBR, 2005

FLOWING GARDEN

Vladimír OBR, 2009

EMANATION

Vladimír OBR, 2010

100 x 100 cm archival pigment print limited edition of 12

COLLECTION SOMETHING BEHIND SOMETHING

Mission of this collection is about opening the doors and crossing the thresholds, levels when something starts to happen.

In fact this is all about life – about that man always open and open the next doors of phases of his life. As well as death is only next threshold. It never ends and you never know what is waiting for you behind the doors.

SOMETHING BEHIND SOMETHING II.

Vladimír OBR

archival pigment print, 100 x 100 cm

VICTIM

Vladimír OBR, 2009

archival pigment print, 100 x 100 cm

NEW DAY

Vladimír OBR, 2011

archival pigment print, 100 x 100 cm

GUIDE IN UNKNOWN TIME

Vladimír OBR, 2011

Vladimir Obr, archival pigment print, 100x100 cm;

CROSS

Vladimír OBR, 2010

Vladimir Obr, archival pigment print, 100 x 100 cm;

SUN

Vladimír OBR, 2006

Vladimir Obr, archival pigment print, 100x120 cm

WOMAN

Vladimír OBR

Vladimír Obr, archival pigment print, 40X60cm or 100x120cm

PREACHER

Vladimír OBR

Vladimír Obr, archival pigment print, 100x120cm or 40x60cm

EMANATION

Vladimír OBR, 2010

100 x 100 cm archival pigment print limited edition of 12

VICTIM

Vladimír OBR, 2009

archival pigment print, 100 x 100 cm

Series: PATHS AND CROSS ROADS

VLADIMIR OBR

This Collection is about destiny.

Every end is a new beginning of something and every beginning is the end. Each process is full of intersections more or less important crossroads and forks.

And that is the way of movement and process how everybody spins own destiny whose weight can anybody dispose man of. This is always up to the man.

If you don't know where you are going, any road will get you there.

In this series:

CROSS

Vladimír OBR, 2010

Vladimir Obr, archival pigment print, 100 x 100 cm;

WOMAN

Vladimír OBR

Vladimír Obr, archival pigment print, 40X60cm or 100x120cm

PREACHER

Vladimír OBR

Vladimír Obr, archival pigment print, 100x120cm or 40x60cm

Series: SPIRITUAL

In this series:

Vladimír OBR & AIMABLE AMMIE

Vladimír OBR

no title, Vladimír Obr, archival pigment print, 100x100 cm AIMABLE AMMIE, Alena Matějka, mold melted glass, diameter 24cm, height 22cm

TWINS & SAFE PORT

Vladimír OBR

TWINS, Vladimír Obr, archival pigment print, 100x100 cm; SAFE PORT, Alena Matějka, mold melted glass, 23 x 15,5 x 110 cm

SOMETHING BEHIND SOMETHING & DOOR

Vladimír OBR,

SOMETHING BEHIND SOMETHING II., Vladimír Obr, archival pigment print, 100 x 100 cm; DOOR I., Alena Matějka, mold melted glass, 33 x 11 x 39,5 cm

FAIRY & HOUSE OF SIX HAWKS

Vladimír OBR

FAIRY, Vladimír Obr, archival pigment print, 100x100 cm; HOUSE OF SIX HAWKS, Alena Matějka, mold melted glass, polished, 56 x 26 x 56 cm, 140 kg

FAR & KING FERGUS MOR OF DALDRIADA

Vladimír OBR

FAR, Vladimír Obr, archival pigment print, 100x120 cm; KING FERGUS MOR OF DALDRIADA, Alena Matějka, mold melted glass, patinated, iron, bronze, 50 x 30 x 48 cm